Thursday, 22 December 2011

Section 5: Treatment

Synopsis

A man comes home one night to discover his wife has been kidnapped, he then has to race against time to find her before she is killed, during this quest to save his wife, he is sent to do different jobs for the kidnapper through a series of calls

Who will survive and who will face a tragic death?



Treatment

A woman comes home from work in her car. She pulls up on the drive and gets out of the car. She's looking around like there's somebody following her or there's something there. She walks towards the door and unlocks it slowly, during this shot the camera comes extremely close to the key turning to make it have a bigger impact on the audience as you can no longer see what it around the woman therefore it makes the audience weary as when the camera comes back out they expect something to happen behind the woman, walking in, checking behind her as she does and closes the door. She locks the door and double checks, and then switches on the lights; this also includes an extreme close up of her switching on the light as it gives more effect. She then turns on the TV and goes into the kitchen, still looking uneasy and nervous. She turns the oven on and gets food to prepare out of the fridge when the phone rings.


She picks it up and there is no answer. She hangs up the phone and goes to walk away when it rings again. This time she seems angry but nervous when she answers it the second time. There is still no answer so she puts the phone down. There is a knock at the door. She answers the door cautiously, but there is nobody there, during these shots a lot of medium shots are used as it shows the woman but also some of her surroundings so the audience can see what is going to happen, if anything is going to happen. She grabs her keys and storms out the house, upset, not even locking the door. She gets back in the car, puts her seatbelt on and starts the engine. She looks into her rear view mirror and freezes, screams. Fades out and credits start.


The husband comes home about an hour later on the phone to work with a briefcase in one hand, and a pile of files under the other arm. He walks around the house looking for his wife whilst still on the phone, within these clips the editing technique used is a montage of images as it will show the different places he looks but in fastest motion so loads of time isn’t taken up. After a few minutes, he hangs up the phone to work and tries to call his wife. A mysterious voice answers, stating that his wife will be fine if he does as he is told; this shot will include a close up so the audience can see his clear reaction to the news. He is given an address and is told to go there and smash up the car and outside of the house, but don't hurt anybody if they confront him or go with the police if they show up. After arguing for a while, a threat from the kidnapper makes him concede and he makes his way to the house. He picks up a brick that is on the floor nearby and approaches the car. He hesitates and sighs, then throws the brick at the car window. The alarm goes off and he picks up another stone on the ground next to him. He then throws this at the main window of the house, during this match on action scene a lot of close up will be used to show the man’s face and all the objects hitting the car.
The light has come on the top floor of the house and you can see a silhouette of a woman on the phone and crowd has gathered behind him. He elbows another car window to smash it. Sirens can be heard in the background. His phone rings. It is the mysterious voice again. The voice congratulates him and tells him to run.
He hangs up and runs away from the sirens, this includes a match on action shot of the chase but they eventually lose him.


After he has escaped after a few close run-ins with the police, his phone rings again. This the time the voice gives him another address and tells him to kill the man in there, this shot includes an extreme close up of his eyes to show anger and fear, and if he does, he will get his wife back. He argues saying he won't and can't. He defies for a few minutes until a threat to harm is wife is made, and he reluctantly agrees.
The man makes his way to the address, looking anxious and angry. He gets there and knocks on the door. He is greeted by a strange man who asks him to come in and offers him a drink. He goes in and sits down on the couch, and tries to explain that he has been sent there to kill the person who lives there. The strange man doesn't seem scared, but just tells him to do it quickly if he is going to kill him.
He says he doesn't want to kill him and makes a deal that he will disappear if he gives him £3000 to leave with. The strange man leaves and a couple minutes later, during this shot there will be a close up of the two men shaking hands to show they are gentlemen and have made an agreement, the phone then rings, he answers it and the strange voice gives him an address and tells him to go there to get his wife.
He quickly leaves and gets to the old house where his wife is supposed to be. As he walks in, he notices a chair with his wife on it facing away from the door. He runs to the chair and sees that his wife has been killed. As he cries, the door he came in through closes and the strange man who he paid to leave approaches him, holding a knife covered in blood. Fades out and there is a slashing noise.




Section 4: Audience Research


Questionnaire
1. How old are you?
Under 15     15-18    19-21    22+

2.       Are you male or female?
Male    female

3.       Do you watch thrillers often?
Yes               No
4.       What is your favourite type of thriller?
Supernatural    crime               disaster   psychological  other

5.       What do you think builds suspense most effectively in a thriller; if other what do you think is the most effective?
Sound/music    lighting   setting    characters    other

6.       Which font do you most associate with a thriller?
Thriller     Thriller     Thriller      Thriller     Thriller
7.       Where do you prefer thrillers to be set?
Indoors                             outdoors

8.       Would you prefer the hero to be male or female?
Male                       female
9.       Would you prefer the villain to be male or female?
Male             female
10.    Do you like not being able to guess what’s going to happen?
Yes               No
11.    Do you like thrillers to have a realistic/believable story?
Yes               No
12.    Do you like thrillers to be more psychological and story based, or more based around action?
Story            Action           Either
13.    Do you like the hero to be an ‘ordinary’ person?
Yes               No
14.    Do you like the villain to be an ‘ordinary’ person?
Yes               No
15.    Do you like there to be more than one hero?
Yes               No
16.    Do you like there to be more than one villain?
Yes               No
17.    Would you like the villain to stay alive?
Yes               No
18.    Would you like the hero to stay alive?
Yes               No
19.    Do you like cliff-hanger endings?
Yes               No
20.    Would you watch a film about kidnap?
Yes               No                Maybe


Questionnaire Results

1.                                                             Are you Male or Female?



This shows that most people interviewed were male, so it will gender biased

2.
                                                         How old are you?




This is a chart to show the age of the people we interviewed. This clearly shows that most people asked were of age 15-18, so it will be quite biased towards that age group.

3.                                                     Do you watch thrillers often?


This shows that most people asked do watch thrillers often, which mean the results, will be more effective as they know what is in a thriller and will probably be right for questions like things about creating tension.


4.                                               What Sub-thriller genre do you prefer?




This shows that most of the people asked prefer supernatural thrillers, but we can’t base ours on supernatural things as it would be too complicated. However, most of the others prefer psychological, so ours will be psychological

5.                                         What builds suspense most effectively?

                                           
This shows that most people asked think that sound and music build suspense most effectively, so when editing and filming, we will try and use sound to build tension and suspense.


6.                                              What font do you associate with a thriller?




This shows that most people prefer the font ‘Pulse Sans’, so we will either use this font or one similar to it.

7.                                                       Where do you prefer thrillers to be set?



Most people said they would prefer thrillers to be set outdoors as it creates a more tense atmosphere, our thriller will be set in and out of doors so it will please all of the target audience.

8.                                                  Prefer Hero to be male or female?


Most of the people who took the questionnaire think it would be better if the hero is a male rather than a female, therefore we should make the hero a man.

9.                                          Prefer Villian to be Male or female?


 10.                                   Not being able to Guess what will happen?


There is a lot more people who would like the story to have an unpredictable ending, therefore the thriller we are making should have a lot of twists to keep the audience guessing.

11.                                    Realistic believeable story?


Most of the people who took part in the questionnaire said that it would be better if the thriller was believable, because of that it would be a good idea if we didn’t include anything too out of the ordinary and just kept to a more believable plot.

12.                                       Physicological or story based?



The results on this question are very close so we could probably have some action but as there was more people who wanted the thriller to be story based we should still have a very strong story.

13.                                               Hero ordinary person?



Most of the people asked would like the hero to be an ordinary person so instead of having somebody who does dangerous activities everyday we should try and make the hero a normal person.

14.                                                     Villian ordinary person?


Most of the people who took the questionnaire think it would be better if the hero is a male rather than a female, therefore we should make the hero a man.

The majority of people asked would prefer the villain to be a male, because of this we will probably set the villain as a male.

15.              Do you like there to be more than one hero?


The people we asked in the survey were divided by this questions and 15 people wanted there to be more than one hero but another 15 people didn’t want there to be more than one hero, therefore we will have to decide rather than taking the opinion of the target audience.


16.                            Do you like there to be more than one Villian?
Most people said they would like there to be more than one villian in the thriller this is largely due to the fact it wil create more suspense.


17.                                   Would you like the Villian to stay alive?

When we asked this question there was divided answers and only 5 people wanted the Villain to die, this is unlike most target audience and they mainly want the Villain to die that the end of the film.


18.                    Would you like the hero to stay alive?

The people we asked this question to, mainly wanted the hero to stay alive this is largely due to the fact the hero would be the main character and in films the main character rarely dies.


19.                                      Do you like cliffhanger endings?


The majority of people we asked didn’t like cliffhanger endings because they sometimes don’t like waiting for the sequel to be released as it is normally a long amount of period they have to wait.




20.                                       Would you watch a film about Kidnap?


The majority of people we asked would watch a thriller about kidnap as a thriller set around kidnap, is full of twist, turns, suspense and you never know whats coming next.


Tuesday, 22 November 2011

Section 3: Brainstorm of Content and Classification of Film

Ideas
·         Buried Alive
·         Kidnapped
·         Deserted forest – Man-eating Animals.
·         Explosion in a chemistry lab – everyone thinks science is dead.
·         A disaster occurs – avenged death
·         Uncovers government secrets – on the run


Chosen Idea
A women is being stalked in her own home and things flick across the camera showing she is not alone, the one then gets her keys to drive to her friends she starts the engine and adjusts the mirrors, something is in the back of the car… she isn’t alone. The woman is then kidnapped……

Certificate of Film
We chose certificate 15 because there is a wider audience than an 18 certificate and in our film there is little violence, no nudity, sexual scenes, gore or killings. We also chose to do certificate 15 because there is also little swearing and members of the group are under 18 so it won't be possible for us to do an 18.

Section 2: Research into Examples of Comparable Products


Seven:
Narrative Structure: Seven it a Crime Thriller and is based around two detectives trying to solve murders that are linked with the seven deadly sins, this film follows all the codes and conventions as, it includes a lot of theories and includes abnormal events.
Thriller Codes and Conventions: During Seven there is a lot of suspense music leading up to the killings; there is also a killing in the opening sequence so straight away the audience know that the film is going to follow the codes and conventions a thriller, and the audience know that the film is going to be a crime thriller as it involves police and killings. Like a lot of thrillers there is dramatic music in the opening titles and the font looks chilling and scary indicating that the film is suppose to create a negative atmosphere.
Camera Work:  The camera work in Seven creates the atmosphere as a range of shot are used to make something seem like something weird and different, a range of shots are also used to give detail and show the audience other things. A tilted camera shot is used to give a sense a negative feeling as this seem abnormal and strange, over the shoulder shots are used when people are talking to show the audience who is talking so they do not get confused. A low angle shot is used as the detectives walk in the street, this suggests that the city is very big and shows the characters as being timid to the city.
Mise-en-scene:  At the start of Seven we know exactly who is going to be the main character as it fades in to him and almost looks like were peering in on him, he is wearing white, indicating that he is an ordinary calm character, the character also has a neat house and bed showing he is a tidy character. Low key lighting is in the house when the fat person is murdered making the detectives look timid as it is dark and shadowy. We know Seven was set in modern day as the clothes they are wearing look like they were from modern day and are the type of clothes people would of wore. In Seven the whole atmosphere is negative as people are wearing dark miserable clothes and it constantly rains and damp, cold and dark, due to the lighting within the scene.
Sound: In the opening titles we can hear the city before we see the image, we can hear sirens and cars showing that the film is set within a loud city, we can also hear thunder and loud noise which then leads to the opening titles. In the opening titles there is a lot of non-diegectic sound, this includes, screechy and scratchy noises which makes it distressing to the audience and sets the mood for the film as it is designed to wake up and make the audience pay attention to what is going on, on the screen.
Editing: The first scene fades in from black as this shows it is a beginning of a sequence, in the opening titles it flashes to other images, a montage. Just in the opening titles of Seven, a lot of editing is sued such as dissolves, fade ins and cinema style edits.
Graphics: There is a lot of graphics to take note in, in Seven, in the opening titles a man is cutting off the tip of his fingers and the audience is left wondering what he is doing, we then find out later in the film. There is a lot of erratic movement in the titles as the images and writing is jumping about everywhere, this also pulls you in as it is unexpected as you want to watch it to find out what will happen, also in the opening titles, red is reoccurring, showing blood and death.  
Jaws
Narrative Structure: Jaws is a film within the thriller genre and is based on a killer shark, this film follows all the codes and conventions of a thriller as it involved tension building and suspenseful atmosphere.
Thriller Codes and Conventions: During Jaws there is a lot dramatic and suspenseful music, this is a typical horror as we know that in all thrillers there is always tension building music and in Jaws when the music reaches climax and the audience are expecting something to happen, it just cuts to a group of people on the beach. Also like a lot of thrillers many theories are used: Question and Answer mode is used when as the audience we are wondering what’s going to happen to the people near the water? And where the two people are going when they isolate themselves form the group is something going to happen?. Concealment and protraction is also used when we never see the “animal” that is attacking the girl in the water we just see her get pulled down and she never comes back up, as an audience we don’t even really know what has happened.
Camera work in Jaws is also like a typical thriller as there are point of view shots from “killer” and the camera stops at one guy on the beach, and then switched to the girl, so we know that they are the two important characters. A long shot is also used when the girl swims out into the deep water as we then can see just how small she is compared to the sea so as an audience we become anxious as in the opening titles we have just seen something lurking in the water. In Jaws the music supports the way in which the camera moves.
Mise-en-scene  is important in Jaws as we can see where it is set, which is important because we need to know just how much they are in danger, whether they are far from the sea or right near the sea,. Using mise-en-scene we can see when the film is set and judging by the clothes they are wearing we can tell it is not set in modern day as there clothes look a bit 1970’s. In Jaws we use Mise-en-scene to analyse the scene as when the lighting becomes to get dark, we know they are in danger as the further they go out to see, the darker it gets symbolising as they get closer to the water the more danger they have put themselves in, it gets so dark at one point, that we can also see the stilettos of the female in the water, and like a typical horror the female is seen to be more vulnerable, and the more she strips off the more vulnerable she gets because her clothes are like protection, so she is the one in the water getting stalked by something unknown. When the camera tracks back out from the girl that has just vanished, the sea looks calm and still, like nothing had even happened. 
Sound: At the start of Jaws there is non-diegectic, suspense and tension building music which gets louder and faster, almost like a heartbeat. In the opening titles of Jaws there is an odd noise which sounds like a submarine in the water so straight away we know most of the action is going to take place in the water. When the girl is in the water she rings the bell to sound an SOS but because she is so far out no one can hear her, there is dramatic sound during this scene which tells us whatever is happening isn’t good there is also diegectic sound of the female screaming telling the audience that things happening beneath that we cant see are painful.
Editing and Graphics are very simple and plain. There are many cuts used within Jaws as the film is edited to action on screen, the graphics are also bold and in your face as they are in capitals and you cant miss them.
Silence of the Lambs
Narrative structure: Silence of the Lambs is based on and FBI agent who tries to find a serial killer before it is too late, this film is a typical thriller because it has a lot of twist and turns and a mysterious atmosphere
Thriller Codes and Conventions:  During the opening sequence of the film, a woman is running through the forest at first it seems she is running away from something and she seems very sweaty, at this stage, question and answer modes come into play, this is a typical thriller code and convention as, as the audience we are constantly asking questions like who is she running from? Why is she running from them? The woman also seems lost and looks like she’s looking for something as she stops looks around, but isn’t sure where she is going, this is like the typical code and convention, mazes and labyrinths as it is full of twist and turns as she is unsure where to go, later on though, our questions are answered when we find out that she is looking for the assault course and she is part of the FBI. Also like typical thrillers, the lighting is very dim and it seems to be very foggy, this is a typical thriller code and convention as thrillers always seem to have to create a dark atmosphere.
Camera Work: At the beginning of the opening scene there is an establishing shot of the woods, this create an uneasy atmosphere straight away as, as the audience we know the woods isn’t a very safe place. The camera also pans to two ropes which we are curious about until we see a girl climb up then, the camera then follows the girl, which includes a mixture of shots, there are cuts, zooms and pans from her feet to her face. An eye-line match is also used as; she looks at something then the camera pans round, keeping the audience in suspense.
Mise-en-scene: The clothes she is wearing is not usually clothes that we see in this modern day, indicating the film was set awhile ago, but not to far back. We also know that the girl is some significance in the film as she is the first person we see on set. We also know that where she is, is a remote area and not many people will be around, we then see a guy in a luminous vest that then talks to her, this indicates that the guy is suppose to be there we now know at this stage she is in the FBI as we see it on his hat. When she runs through the woods and up to a building we find out that is it an FBI training camp indicating that this will be the main setting.
Sound: like a typical thriller film, when she is running through the cold dark woods, we can hear deep, suspense music, which makes us wonder what will happen to her. During the opening sequence we can hear diegetic and non-diegetic sound; we can hear the birds flying out the tress like they have been disturbed and the sound of gun fire and in the background we can still hear that tense music.
Editing and Graphics: At the start of the sequence there is a fade in from black which reveals the woods, there is not much editing a there is just clear cuts throughout the sequences. The graphics in the opening sequence do not play a big part as they just tell us where the place is and they are quite plain, not really extravagant, they just stand out.
Red Eye
Narrative Structure: in the opening sequence of red eye we are introduced to the main characters in a matter of minutes, we know that the main character will be Lisa as she is shown more regularly and there is more emphasis on her. Also in the beginning a wallet is taken off the side, with the initials J.R we then see that same wallet later on, so we make the connection that the wallet is going to be important, then later on we know who the wallet belongs to and the fact they just threw the cards away, shown that they didn’t take it for the money. We also know at the start most of the action is going to take place on the plane as she is about to get on the last flight out.
Codes and Conventions: Red eye also follows the typical codes and conventions of a thriller as there is suspense music, it is set in a city and it is dark and raining. It also follows the codes and conventions because concealment and protraction is used as we never see who has taken the wallet, or what they want with it, question and answer mode in also used as the audience are left asking who are these people and what are they doing?
Camera Work: there are a lot of cuts used in Red eye, as they are having a conversation but in different places, at the start, an establishing shot is used so we now know what the hotel is called and where it is, we then know that some action will take place here.  In the opening sequence we see a lot of picture of a young girl and the camera pans right showing these, this shows she is, a sporty fit and healthy girl, with all these picture out it shows she is an all round American girl and is a dream daughter and her dad loves her.
Mise-en-scene: W can tell Red eye is set in the modern day because; the characters are wearing modern day clothes and the city, look modern day set. We know that most of the action is going to be set on the plane as on the phone she says she is taking the last flight out which is the red eye and this is the title of the film so we know it has some significance. In the opening sequence we straight away learn what sort of character Lisa is or when she was younger, through the photos we are shown.
Sound: In “Red Eye” there is suspense music at the beginning, the music reaches the climax after the wallet is taken and then cuts to the hotel scene. There is non-diegetic and diegetic sound within the first as we can hear the diegetic sound of cars and ice and the lift and we can hear the non-diegetic sound of the tension music in the background that makes the audience wonder what is exactly going on. In the opening titles of the film as “Red Eye” is shown, we can hear a plane taking off in the background indicating to the audience what the film is about we also  know that Red Eye is the last flight out.
Editing and Graphics: At the start of the film there is a montage as it flicks through the different photos and scenes. Also when the girl is on the phone to her colleague and dad there is many cuts used as they have a conversation showing they are in different places. The graphics in the film seem simple apart from the title “Red Eye” as that stands out as it is in big bold red font on a black background. At the start of the film the graphics come onto the screen and fade into black almost like there sinking from sight.

Section 1: The Thriller Genre

Codes and Conventions of a thriller.
Genre refers to a type of film and categorises them based on similarities in the narrative elements in which films are constructed.
Codes and Conventions of a thriller are such things like suspense and tension building music and cliffhangers, the camera angles in thrillers often are low angle to show someone higher and quick cuts are also used for tension.
Thriller is a genre of film that uses tension, excitement and suspense as main elements. There are also many subgenres of thrillers:
  • · Psychological
  • · Crime
  • · Supernatural
  • -  Action
  • · Erotic
  • · Horror
  • · Political
  • · Drama
  • · Disaster and many more
There are many theories about thrillers:

G.K Chesterton: he is a British author and writer of thriller stories, he discovered the thriller genre in the early 1990’s and introduced his theory The Transformed city. G.K Chesterton believed that thrillers took a urban environment and transformed the ordinary into the extraordinary, we see examples of this in Seven as we see establishing shots of buildings and visual and verbal references to the buildings we also see this with all the vehicles passing by the non-stop noise.

Northrop Frye introduced a theory called Heroic Romance, he argued that it took ordinary people and thrown them into extraordinary situations and he believed that the hero was always an ordinary person like ‘us’ he believed it “moved the world in which ordinary laws of nature are slightly suspended”. We see an example of heroic romance theory in seven as the two detectives seem normal as one even has a child on they way, they go about in ordinary life but then murders start to happen and before long they seem themselves thrown out of their comfort zone to deal with extraordinary situations, they are even offered an ultimatum by the killer.

The exotic Theory was developed by John Cawelti he believed that within a film the modern city became enchanted and full of mystery; he had the belief that objects and props within a thriller is not what we expect to see in everyday life. The artefacts, objects and props within the thriller often originated from the Middle East. We see an example of the Exotic theory taking place in seven as the character Tracy doesn’t fit into place, the city is exotic to her and she doesn’t like to be there.

WH Matthews introduced the theory Mazes and Labyrinths, this theory originated from Greek mythology. The thriller studies that a hero within a thriller often found themselves in some sort of predicament and they are faced with metaphorical are sometimes literal mazes full of dead ends and twist. An example of the theory is sued in seven when they discover the killer is killing people by the seven deadly sins; they reach a lot of dead ends and are thrown in different directions.

Pacal Boniter created a theory called Partial Vision this believed to be used in the thriller genre because there are hidden elements within a genre – the audience can only see so much. The theory studies that blind spots were in the thriller to introduce and build suspense and leave unanswered questions for the audience. We see an example of this in Seven when Detective Somerset opens the box and as the audience we are curious to what is in the box therefore we are left asking questions until later in the film when those questions are answered.

Lars ole Saurberg introduced concealment and protraction this works in a thriller to build suspense and pull the audience in different directions as they are not sure what to expect. Concealment works to deliberately hide something from the audience. Protraction works to deliberately delay a suspected outcome so the audience isn’t sure if it’s going to happen. We see this in seven when we cant see what’s in the box and we also see it when they deliberately delay the time on the bomb, they used 15 seconds of film for 3 three seconds on the bomb.

Noel Carroll created the theory question and answer mode this takes place in a thriller when the audience are presented with questions that they wait in suspense for the answer. There are two ways the thriller can go according to Noel Carroll’s theory, you have the probability factor: a sure thing that what the audience think is going to happen, happens. And you have the moral factor which is the morally right outcome and it increases audience involvement. We see an example of this theory in Seven as we, as the audience, are constantly asking questions such as “what’s in the box” and “who is the killer”.